图书标签: Wilhelm_worringer  艺术  modernism  艺术史  课  艺  書單  建筑史爷爷   

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移情是把自己放在被欣赏的物品里，抽象是把自己抽离于被欣赏的物品。移情是生的艺术，抽象是死的艺术。两者都是远离真正的自己。

移情是把自己放在被欣赏的物品里，抽象是把自己抽离于被欣赏的物品。移情是生的艺术，抽象是死的艺术。两者都是远离真正的自己。

移情是把自己放在被欣赏的物品里，抽象是把自己抽离于被欣赏的物品。移情是生的艺术，抽象是死的艺术。两者都是远离真正的自己。

Suppression of depth of antiquity

也可以叫做《艺术与宗教》（类比伯尔曼那本）。从艺术意志出发、反对技术决定论的思维框架很有启发性，但和史料、物证的结合似乎并不特别具有说服力？

第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...

第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...

第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...

第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...

第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...