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Publisher Comments :
---The government has been seized by a ne'er-do-well rich boy and his elderly henchmen . . .
---Our great economic expansion is unraveling faster than a set of Firestones . . .
---Our water is poisoned, the ozone's in shreds, and the SUVs are advancing like a plague of locusts . . .
Remember when everything was looking up? When the government was running at a surplus, pollution was disappearing, peace was breaking out in the Middle East and Northern Ireland, and the Bridge to the Twenty-First Century was strung with high-speed Internet cable and paved with 401K gold?
Well, so much for the future. Michael Moore, the award-winning provocateur behind Roger & Me and the bestseller Downsize This!, now returns to size up the new century — and that big, ugly special-interest group that's laying waste to the world as we know it: stupid white men. Whether he's calling for United Nations action to overthrow the Bush Family Junta, calling on African-Americans to place whites only signs over the entrances of unfriendly businesses, or praying that Jesse Helms will get kissed by a man, Stupid White Men is Mike's Manifesto on Malfeasance and Mediocrity. Among his targets:
1.George W.: "President" of the United States. The Thief-in-Chief. A trespasser on federal land, a squatter in the Oval Office. Send in the Marines! Launch the SCUD missiles! Bring me the head of Antonin Scalia!
2.Bill Clinton: One of the best Republican presidents we've ever had.
3.The Former Yugoslavia: Bring back Marshall Tito! Nobody in America liked him much when he was alive, but now he looks like Lady Bird Johnson.
4.The Idiot Nation: A friggin' stain on a blue dress. That's what captured our attention in the nineties — along with slow-moving Broncos, six-year-old strangled beauty queens, and Hugh Grant's dating habits.
5.Corporate America: There is no recession, my friends: no downturn, no hard times. The rich are wallowing in loot — and now they want to make sure you don't come a-lookin' for your piece of the pie.
The polls indicate that 60 percent of Americans are "upset or angry" about this land in which we now live — a land where crooked courts select the president and money rules the day. So if you're feeling the same way and you're wondering what's going to give out first — the economy, Dick Cheney's pacemaker, or your new VW Beetle — here's the book for you.
Synopsis:
More social commentary from famously glib liberal Michael Moore, director of Roger & Me. His unique takes on politicians, businessmen, and other power players who have put us in the mess we in are delivered in his oh-my-gosh! wiseguy style. Targets here include George W. Bush and the people around him, Bill Clinton, the Supreme Court, the media, and, ultimately, mediocrity.
Synopsis:
The social critic shares his views of the political, social, financial, and physical complexities of the twenty-first century, from the explosion of the tech-stock bubble to Bush's scorched-earth environmental policies.
Amazon.com
Stupid White Men , Michael Moore's screed against "Thief-in-Chief" George Bush's power elite, hit No. 1 at Amazon.com within days of publication. Why? It's as fulminating and crammed with infuriating facts as any right-wing bestseller, as irreverent as The Onion, and as noisily entertaining as a wrestling smackdown. Moore offers a more interesting critique of the 2000 election than Ralph Nader's Crashing the Party (he argued with Nader, his old boss, who sacked him), and he's serious when he advocates ousting Bush. But Moore's rage is outrageous, couched in shameless gags and madcap comedy: "Old white men wielding martinis and wearing dickies have occupied our nation's capital.... Launch the SCUD missiles! Bring us the head of Antonin Scalia!... We are no longer [able] to hold free and fair elections. We need U.N. observers, U.N. troops." Moore's ideas range from on-the-money (Arafat should beat Sharon with Gandhi's nonviolent shame tactics) to over-the-top: blacks should put inflatable white dolls in their cars so racist cops will think they're chauffeurs; the ever-more-Republicanesque Democratic Party should be sued for fraud; "no contributions toward advancing our civilization ever came out of the South [except Faulkner, Hellman, and R.J. Reynolds]," because it's too hot to think straight there; Korean dictator Kim Jong-il "has got to broaden himself beyond porn and John Wayne" by watching better movies, like Dude, Where's My Car? (which contains "all you need to know about America"). Whatever your politics, Stupid White Men should make you blow your stack.
--Tim Appelo
From Booklist
The latest appraisal of contemporary American society by a popular and iconoclastic commentator.
Brad Hooper
Book Dimension
Height (mm) 210 Width (mm) 140
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这本书的语言风格简直是一场文字的盛宴,华丽而又不失力量,仿佛每一句话语都经过了千锤百炼的打磨。我尤其惊叹于作者对于意象的运用,那些被精心挑选和排列的词汇,构建出了一幅幅鲜活、甚至有些超现实的画面。读到某些段落时,我甚至能清晰地感受到文字所营造出的那种特定的氛围,无论是清晨薄雾中带着湿气的泥土芬芳,还是午夜寂静里心跳加速的恐惧感,都被作者用精准的笔法描摹得淋漓尽致。这不是那种平铺直叙的文字,它充满了诗意和哲思,使得即便是描述最寻常的场景,也散发出一种不同寻常的光泽。这种对语言的极致掌控力,让阅读体验从简单的信息接收,升华成了一种艺术鉴赏。我常常需要停下来,反复咀嚼那些拗口却又无比精准的组合,感受它们在舌尖和脑海中激荡出的回响。对于追求文字美感的读者来说,这本书无疑是一本值得反复研读的范本。
评分这本书的结构安排堪称精妙的建筑艺术,不同时间线和视角的切换处理得极其流畅自然,几乎没有丝毫的割裂感。作者似乎拥有一种魔力,能够将看似毫不相关的碎片信息,巧妙地编织成一张巨大而严密的网。起初阅读时,我感觉信息量非常庞大,需要时刻集中注意力去梳理人物关系和时间脉络,但随着阅读的深入,那些原本散落的线索开始一一对接,最终汇聚成一幅宏大而清晰的图景。这种层层递进的揭示过程,极大地增强了阅读的沉浸感和成就感。尤其值得称道的是,作者在处理多重叙事视角时,成功地塑造了多个具有独立生命力的“声音”,每一个声音都有其独特的观察角度和逻辑体系,这使得整个故事的立体感达到了极致。读完后,我甚至有一种意犹未尽的感觉,很想回头再去梳理一遍那些微妙的伏笔和前后呼应的细节。
评分这本书的叙事手法真是令人耳目一新,它并没有采用传统的线性叙事,而是像无数条交织在一起的河流,时而湍急,时而舒缓,带领读者在作者精心构建的复杂世界中穿梭。我特别欣赏作者在描绘人物内心挣扎时的细腻笔触,那种对人性幽微之处的捕捉,简直入木三分。比如,书中对主人公在面临重大抉择时的那种矛盾和犹豫,没有一味地进行道德审判,而是展现了其复杂性和多面性。每一次翻页,都像是在揭开一层新的迷雾,让你对之前所读到的内容产生新的理解和联想。这种需要读者积极参与构建意义的阅读体验,在当今快餐式的阅读潮流中,显得尤为珍贵。作者似乎深谙叙事节奏的奥秘,总能在你以为故事将要走向某个方向时,突然一个急转弯,将你抛入一个意想不到的境地。这种对读者预期的不断颠覆,使得阅读过程充满了探索的乐趣,让人根本停不下来,恨不得一口气读完,却又想放慢脚步,细细品味那些精妙的文字结构和隐喻。
评分这本书带给我的情绪体验是极其复杂和多层次的,它像一部交响乐,包含了激昂的呐喊、低沉的哀叹,以及偶尔闪现的、令人心头一暖的希望之光。我发现自己在阅读过程中,情绪波动非常大,时而被角色的遭遇深深震撼,感受到一种近乎生理上的压抑感,不得不放下书本喘口气;但紧接着,作者又会通过一个极富同情心的细节描述,瞬间拉回我与人物之间的情感联结,让我为他们的微小胜利而感到由衷的欣慰。这种情感上的大开大合,恰恰反映了现实生活的真实面貌——痛苦与美好往往是并存的。作者没有试图简化读者的感受,而是将所有复杂的情绪都原封不动地呈现在我们面前,让我们去体验、去消化。这本书不是一次轻松的消遣,而是一次深刻的情感洗礼,它让我在合上封面前,已经感到自己对这个世界的理解又深了一层。
评分从主题深度来看,这本书触及了一些极为宏大且发人深省的议题,它不是那种只停留在表层冲突的通俗小说,而是像一把手术刀,精准地剖开了社会肌理中那些难以启齿的病灶。作者毫不避讳地探讨了权力、身份认同以及历史的沉重负担,但他的处理方式却极具技巧性,没有采取说教的姿态,而是通过角色的命运和遭遇,让这些深刻的议题自然而然地渗透出来。每一次读到关键性的转折点,我都会不由自主地停下来,思考自己对这些问题的既有认知是否需要修正。这种强迫性的内省,正是优秀作品的魅力所在。它迫使你走出自己的舒适区,去审视那些你可能长期以来习以为常却从未深究的观念。整本书读完后,留给我的不仅仅是故事的余韵,更是一系列悬而未决、需要我继续在现实生活中追寻答案的哲学叩问。
评分2008.看到the end of men笑翻了。另:书中描写的戈尔与无法忽视的现实中的戈尔饭差距大。看来做在野党说话是可以放肆很多,无所顾忌不也挺好么,至少可以做真正的你自己(前提是戈尔希望做真正的自己)。
评分2008.看到the end of men笑翻了。另:书中描写的戈尔与无法忽视的现实中的戈尔饭差距大。看来做在野党说话是可以放肆很多,无所顾忌不也挺好么,至少可以做真正的你自己(前提是戈尔希望做真正的自己)。
评分2008.看到the end of men笑翻了。另:书中描写的戈尔与无法忽视的现实中的戈尔饭差距大。看来做在野党说话是可以放肆很多,无所顾忌不也挺好么,至少可以做真正的你自己(前提是戈尔希望做真正的自己)。
评分2008.看到the end of men笑翻了。另:书中描写的戈尔与无法忽视的现实中的戈尔饭差距大。看来做在野党说话是可以放肆很多,无所顾忌不也挺好么,至少可以做真正的你自己(前提是戈尔希望做真正的自己)。
评分2008.看到the end of men笑翻了。另:书中描写的戈尔与无法忽视的现实中的戈尔饭差距大。看来做在野党说话是可以放肆很多,无所顾忌不也挺好么,至少可以做真正的你自己(前提是戈尔希望做真正的自己)。
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