图书标签: Cicero  布魯圖斯   

喜欢 Cicero's Brutus or History of Famous Orators 的读者还喜欢

不限于修辞学，几乎处处能联想不久后共和国的末日。orator强调听众一侧的意识，Brutus可曾预料他的听众将如西塞罗所说："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

不限于修辞学，几乎处处能联想不久后共和国的末日。orator强调听众一侧的意识，Brutus可曾预料他的听众将如西塞罗所说："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

不限于修辞学，几乎处处能联想不久后共和国的末日。orator强调听众一侧的意识，Brutus可曾预料他的听众将如西塞罗所说："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

陆谷孙有诗云“独入秋风无古今”，学问做到份上了，哪有古今中西之分，总中有分分中有总也，演说不正是千年前之大众文化？西塞罗实拉丁诗学的圆点坐标。《布鲁图斯或演说术的历史》是西塞罗演说三书中的第二书，第一书是《论演说》，第三书是《演说家》。西塞罗综合的古希腊修辞学方案与哲学方案的对峙深刻影响了后世中世纪与文艺复兴诗学。他从亚里士多德意义上继承而来的修辞学传统正是文艺复兴诗学的原型，详参但丁《神曲·地狱篇》的多纳图斯和莎翁《哈姆雷特》的第三幕第二场。无论如何，我们必须历史主义和现象学地透视古人思想，西塞罗著此书之际，正乃凯撒征服高卢并战胜庞培之时，强权政治正如日中天而布鲁图斯尚未图穷匕见（参莎翁《凯撒》与《安东尼》二剧）。西塞罗面上谈的是演说，实则是谈文化，而更深入来说谈的乃是共和政制精神的消亡。

不限于修辞学，几乎处处能联想不久后共和国的末日。orator强调听众一侧的意识，Brutus可曾预料他的听众将如西塞罗所说："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."