具体描述
Book Description
This is the story of a single mother, Sibylla, who comes from a long line of frustrated talents, and her son Ludo, who just happens to be a genius. Obsessed with the film The Seventh Samurai, she makes it a running backdrop to Ludo's childhood. At five Ludo learns ancient Greek, reading Homer as they travel round and round on the London Underground, teaches himself Hebrew, Arabic, Inuit, probability theory, astronomy, and is moving on to Japanese when he decides to embark on the search for his father - preferably the perfect father in the heroic mould, or at the very least, one with samurai virtues. He is bound for disappointment, and to find out more than he needs about his mother's shaky past. And at the heart of this completely delightful, captivating novel is the boy's changing relationship with his mother - contradictory, touching, and tender.
Full of linguistic pyrotechnics, fabulous learning, philosophy, science, and the workings of a brilliant mind, this is a must-read novel for everyone who relishes language, extravagant ideas, game theory, science, parenthood, not to mention Kurosawa's cinematic masterpiece.
Amazon.com
Helen DeWitt's extraordinary debut, The Last Samurai, centers on the relationship between Sibylla, a single mother of precocious and rigorous intelligence, and her son, who, owing to his mother's singular attitude to education, develops into a prodigy of learning. Ludo reads Homer in the original Greek at 4 before moving on to Hebrew, Japanese, Old Norse, and Inuit; studying advanced mathematical techniques (Fourier analysis and Laplace transformations); and, as the title hints, endlessly watching and analyzing Akira Kurosawa's masterpiece, The Seven Samurai. But the one question that eludes an answer is that of the name of his father: Sibylla believes the film obliquely provides the male role models that Ludo's genetic father cannot, and refuses to be drawn on the question of paternal identity. The child thinks differently, however, and eventually sets out on a search, one that leads him beyond the certainties of acquired knowledge into the complex and messy world of adults.
The novel draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, divides itself into two halves: the first describes Ludo's education, the second follows him in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition, and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the world of emotion, human ambitions, and their attendant frustrations and failures.
The Last Samurai is about the pleasure of ideas, the rich varieties of human thought, the possibilities that life offers us, and, ultimately, the balance between the structures we make of the world and the chaos that it proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, capturing the intrusions of unspoken thought that punctuate conversation while providing tantalizing disquisitions on, for example, Japanese grammar or the physics of aerodynamics. It is remarkable, profound, and often very funny. Arigato DeWitt-sensei.
--Burhan Tufail
From Publishers Weekly
DeWitt's ambitious, colossal debut novel tells the story of a young genius, his worldly alienation and his eccentric mother, Sibylla Newman, an American living in London after dropping out of Oxford. Her son, Ludovic (Ludo), the product of a one-night stand, could read English, French and Greek by the age of four. His incredible intellectual ability is matched only by his insatiable curiosity, and Sibylla attempts to guide her son's education while scraping by on typing jobs. To avoid the cold, they ride the Underground on the Circle Line train daily, traveling around London as Ludo reads the Odyssey, learns Japanese and masters mathematics and science. Sybilla uses her favorite film, Akira Kurosawa's classic Seven Samurai, as a makeshift guide for her son's moral development. As Ludo matures and takes over the story's narration, Sibylla is revealed as less than forthcoming on certain topics, most importantly the identity of Ludo's father. Knowing only that his male parent is a travel writer, Ludo searches through volumes of adventure stories, but he is unsuccessful until he happens upon a folder containing his father's name hidden in a sealed envelope. He arranges to meet the man, pretending to be a fan. The funny, bittersweet encounter ends with a gravely disappointed Ludo, unable to confront his father with his identity. Afterward, the sad 11-year-old resumes his search for his ideal parent figure. Using a test modeled after a scene in Seven Samurai, he seeks out five different men, claiming he is the son of each. While energetic and relentlessly unpredictable, the novel often becomes belabored with its own inventiveness, but the bizarre relationship between Sibylla and Ludo maintains its resonant, rich centrality, giving the book true emotional cohesion. Foreign rights sold in Brazil, Canada, Denmark, Finland, France, Germany, Greece, Italy, the Netherlands, Norway, Portugal, Spain, Sweden and the U.K. (Sept.)
From Library Journal
DeWitt's first novel revolves around Sibylla, an American displaced in London, and her young son Ludo, both geniuses. Sibylla earns a bare living typing for mundane periodicals like Carpworld and International Cricketer, grudgingly squeezing her assignments between viewings of Kurosawa's classic film, Seven Samurai. Ludo, who has been reared on this film, decides to use the challenges it presents to find his own mysterious father. When he is disappointed with the real thing, he searches for a more acceptable candidate. The last half of the book is very readable and beautifully written, as Ludo discovers that perhaps the perfect father is nonexistent. Overall, however, the excessive display of erudition obstructs DeWitt's wonderful use of language and imagination. After spending too much time either trying to understand her rhetoric or skipping pages loaded with arcane languages or mathematical theories, readers may find it difficult to persist.
DPatricia Gulian, South Portland, ME
From Booklist
Ludo is a boy with an insatiable intellectual appetite, growing up in England in the 1980s. With his mother Sibylla's help, he learned to read at age 2 and mastered several languages by the time he was 4. As a single mother, Sibylla struggles to make a living at home, typing back issues of special-interest magazines. Mother and son are both fans of Akira Kurosawa's Seven Samurai, which they watch several times a week over many years. In spite of his very advanced education, Ludo is still a boy and longs to know the identity of his father, which Sibylla, critical in a condescending way toward much of the world, has withheld from him. Gradually, the narrative voice switches from Sibylla to young Ludo, endearing at first in his naiveteand later in his persistence. At 11, Ludo identifies and approaches seven potential father figures--among them a travel writer, a painter, a journalist, and a Nobel Prize^-winning astronomer. Eventually, his search and his encounters with some unusual characters lead him to a deeper understanding of both himself and his mother. There are stories within stories, layers upon layers in this fresh, fast-paced, wonderfully imaginative book. If it is a showcase for DeWitt's intellectual prowess, containing snippets of works in numerous foreign languages and many references to mathematics, music, and classic literature, it is also much more than that. It is a touching story of a child's maturing love and illuminates the ways in which a parent's issues can overtly or covertly affect the life of a child. Delightfully original, with foreign rights already sold in 14 countries, this novel will generate high demand.
Grace Fill
Book Dimension
length: (cm)22.7 width:(cm)16.8
作者简介
目录信息
读后感
用户评价
老实说,这本书的叙事手法相当前卫,初读时可能会让人有些摸不着头脑。作者频繁地使用意识流和多重视角交错的写法,使得叙事线索如同打乱了的麻绳,需要读者自己去梳理和拼接。但这恰恰是它最迷人的地方——它要求你成为一个积极的参与者,而不是被动的接受者。那些看似跳跃的片段,其实是精心设计的碎片,它们最终会拼凑出一个异常清晰的、关于“荣誉”与“身份认同”的宏大图景。我尤其佩服作者对于语言的驾驭能力,有些段落的句式结构极其复杂,充满了古典韵味,仿佛能从文字中嗅到旧世界的香气。读到高潮部分时,我甚至需要时不时地停下来,回溯前面的章节,以确保自己完全捕捉到了作者试图构建的那种多层次的象征意义。这本书绝不是茶余饭后的消遣,它更像是一次智力上的探险,是对传统叙事模式的一次有力挑战。对于那些追求文学深度的读者来说,这无疑是一份宝藏,虽然挖掘过程可能会稍显辛苦,但收获绝对是丰厚的。
这部作品的结构设计堪称精妙,它不像传统小说那样线性发展,而是像一个复杂的音乐作品,充满了回旋与变奏。大量的内心独白和场景闪回穿插其中,使得阅读过程更像是一种情感的考古发掘。我特别喜欢作者对“沉默”的运用,很多关键的转折点,都不是通过激烈的对话达成的,而是通过人物之间微妙的眼神交流,或是长时间的、令人窒息的沉默来实现的。这种留白的处理,极大地拓宽了读者的想象空间,每一个读者都能在那些未被言说的部分填入自己对人性和命运的理解。读完后,我感觉我的“共情能力”得到了极大的锻炼,因为我必须学会去理解那些与我自身经验截然不同的人的思维模式和行为逻辑。这本书成功地超越了单纯的故事叙述,它更像是一次对人类精神困境的深刻哲学探讨,值得所有对文学抱有敬畏之心的读者细细品味。
我必须承认,这本书的阅读体验有点像是在攀登一座陡峭的山峰,中间有几段情节的推进慢得让人几乎想放弃,那种对于日常琐事的冗长描述,简直是对耐心的一种考验。然而,当我坚持下来后,就会发现,正是那些看似无关紧要的日常细节,构建了人物世界的坚实基础。它们让读者完全沉浸其中,感受那种久远年代的生活肌理,而不是仅仅停留在故事梗概的层面。作者的文笔朴实有力,没有过多的华丽辞藻去粉饰太平,反而用一种近乎新闻报道般的冷静笔触,记录着那些惊心动魄的瞬间。这种反差制造出一种巨大的张力,使得那些爆发性的冲突场景更具冲击力。这本书的价值不在于它提供了多少“答案”,而在于它提出了多少深刻的“问题”。它迫使你去审视历史的纹理,思考英雄主义的真正含义,以及那些被时代洪流淹没的无名者们的价值所在。这是一部需要反复阅读才能真正理解其深意的巨著。
这部作品,我花了整整一个星期才啃完,实在不是那种能让人一口气读完的轻松读物。它像一幅极其精细的浮世绘,每一个笔触都带着历史的重量和某种难以言喻的哀愁。故事的基调是沉郁的,仿佛笼罩着一层永不散去的雾气。我尤其欣赏作者对于环境细节的描摹,无论是京都古寺的苔藓,还是暴风雨中海浪拍打礁石的声响,都栩栩如生地浮现在眼前。那种对逝去时代的缅怀,不是简单地歌颂过去的美好,而是深刻地探讨了“变化”本身带来的阵痛与必然性。主角的内心挣扎,那种在两个世界之间徘徊、最终不得不做出抉择的煎熬,写得极其到位。有那么几个瞬间,我甚至感觉自己也站在了那个历史的十字路口,呼吸着那个时代特有的、略带硝烟味的空气。这本书的节奏把握得非常巧妙,它不是那种情节跌宕起伏的畅销小说,而是更像一部慢火熬制的汤,需要耐心去品味那些隐藏在对话和动作背后的深层含义。看完之后,我需要静坐很久才能从那种宏大叙事带来的震撼中抽离出来,合上书本时,心中充盈着一种复杂的、难以名状的满足感,夹杂着对时代洪流的敬畏。
这本书给我的整体感受是,它成功地捕捉到了一种“文化冲突”下的精神景观,但它处理这种冲突的方式非常克制和细腻,没有落入简单的二元对立的俗套。它不急于评判哪一方更优越,而是专注于描绘个体在巨大文化冲击面前,如何艰难地重建自我认知框架的过程。书中的人物形象塑造得非常立体,他们不是符号,而是活生生的人,带着各自的偏见、渴望和软弱。例如,某个配角在处理传统与革新之间的矛盾时,展现出的那种犹豫和挣扎,比主角的经历更加让我感同身受。作者似乎对人类心理的幽微之处有着近乎病态的洞察力。此外,书中对仪式感和规矩的描写,达到了近乎偏执的程度,正是这些繁复的仪式,构成了人物内心世界的某种锚点。读完之后,我不再简单地去看待“传统”与“现代”这两个概念,而是开始思考,在任何一个剧烈的变革时期,个体如何才能保持内心的完整性。