Accept no substitutes. Wolfgang Tillmans could well be the coolest photographer on the planet, and here's the evidence. Always imitated, never bettered, he's the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he's the brand name of hip. From Ray Gun to i-D, his images feel iconic before they're out of the fluid. I'll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures. Make your own meaning, rave about them, the artifice, the stagings, it's so close to home and snapshot-casual you could do it yourself. But you couldn't. Framing is all. Every shot is classically composed, it's just the subjects that are so Now. From the portraits that made him famous, through the still lives and landscapes (undermining the genres with every shot), this second book, with design and layout from the man himself, is high colour, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.
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讀後感
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“提爾曼斯的重組實踐擴展瞭欲望和失落的辯證關係。個人影像既記錄瞭感性的愉悅和親密關係，同時也錶現齣對於即將來臨的失落的恐懼。”
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评分“提爾曼斯的重組實踐擴展瞭欲望和失落的辯證關係。個人影像既記錄瞭感性的愉悅和親密關係，同時也錶現齣對於即將來臨的失落的恐懼。”
评分三本裡 前言寫得最好
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