具體描述
In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined.
Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles.
Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women's studies, cultural studies, and comparative literature.
作者簡介
劉劍梅，北京大學中文係學士，美國科羅拉多大學東亞係碩士，美國哥倫比亞大學東亞係博士，現為美國馬裏蘭大學亞洲與東歐語言文學係副教授。曾齣版《共悟人間》、《狂歡的女神》、《革命與情愛：二十世紀中國小說史中的女性身體與主題重述》等中、英文著作。
目錄資訊
讀後感
“帝高阳之苗裔兮”。著名的现代文学批评家李欧梵，被称为同时受到夏志清、夏济安与普实克三位大家熏陶的而令人羡慕。其实，《革命与情爱》论著的作者刘剑梅女士，其游学历程，同样是幸运上佳：她亦同时受到夏志清、夏济安、李欧梵的关照，王德威为其博导，又与其父刘再复...
評分“帝高阳之苗裔兮”。著名的现代文学批评家李欧梵，被称为同时受到夏志清、夏济安与普实克三位大家熏陶的而令人羡慕。其实，《革命与情爱》论著的作者刘剑梅女士，其游学历程，同样是幸运上佳：她亦同时受到夏志清、夏济安、李欧梵的关照，王德威为其博导，又与其父刘再复...
評分“帝高阳之苗裔兮”。著名的现代文学批评家李欧梵，被称为同时受到夏志清、夏济安与普实克三位大家熏陶的而令人羡慕。其实，《革命与情爱》论著的作者刘剑梅女士，其游学历程，同样是幸运上佳：她亦同时受到夏志清、夏济安、李欧梵的关照，王德威为其博导，又与其父刘再复...
評分“帝高阳之苗裔兮”。著名的现代文学批评家李欧梵，被称为同时受到夏志清、夏济安与普实克三位大家熏陶的而令人羡慕。其实，《革命与情爱》论著的作者刘剑梅女士，其游学历程，同样是幸运上佳：她亦同时受到夏志清、夏济安、李欧梵的关照，王德威为其博导，又与其父刘再复...
評分“帝高阳之苗裔兮”。著名的现代文学批评家李欧梵，被称为同时受到夏志清、夏济安与普实克三位大家熏陶的而令人羡慕。其实，《革命与情爱》论著的作者刘剑梅女士，其游学历程，同样是幸运上佳：她亦同时受到夏志清、夏济安、李欧梵的关照，王德威为其博导，又与其父刘再复...
用戶評價
Liu examines the literary representations of the formula of revolution+love from the post-5.4 era to the 1990s. Three major sub-currents: 1. representated by Jiang Guangci, the Creation magazine, the Sun magazine, who rebels against 5.4 petit bourgeoisie sentiment; 2. Feminist writers Bai Wei, Lu Yin, Ding Ling; 3. Shanghai new sensationalists
评分Liu examines the literary representations of the formula of revolution+love from the post-5.4 era to the 1990s. Three major sub-currents: 1. representated by Jiang Guangci, the Creation magazine, the Sun magazine, who rebels against 5.4 petit bourgeoisie sentiment; 2. Feminist writers Bai Wei, Lu Yin, Ding Ling; 3. Shanghai new sensationalists
评分Liu examines the literary representations of the formula of revolution+love from the post-5.4 era to the 1990s. Three major sub-currents: 1. representated by Jiang Guangci, the Creation magazine, the Sun magazine, who rebels against 5.4 petit bourgeoisie sentiment; 2. Feminist writers Bai Wei, Lu Yin, Ding Ling; 3. Shanghai new sensationalists
评分Liu examines the literary representations of the formula of revolution+love from the post-5.4 era to the 1990s. Three major sub-currents: 1. representated by Jiang Guangci, the Creation magazine, the Sun magazine, who rebels against 5.4 petit bourgeoisie sentiment; 2. Feminist writers Bai Wei, Lu Yin, Ding Ling; 3. Shanghai new sensationalists
评分Liu examines the literary representations of the formula of revolution+love from the post-5.4 era to the 1990s. Three major sub-currents: 1. representated by Jiang Guangci, the Creation magazine, the Sun magazine, who rebels against 5.4 petit bourgeoisie sentiment; 2. Feminist writers Bai Wei, Lu Yin, Ding Ling; 3. Shanghai new sensationalists
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