The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking.<br /> <br /> Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
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信息技术，媒介与建筑史
评分电子版全文，造福来者吧。 链接：https://pan.baidu.com/s/1fNbb9FJtjxnL-g_jPS1YEw 提取码：qid2
评分这是四年后的重读。一大阅读收获就是关于Serlio出版“七书”意义的讨论，Lomazzo抱怨过Serlio指导守则一般的建筑书似乎是要把所有人都“教育”成建筑师，如果大家以后都把建筑习以为常地单纯看做是一套建筑图纸的产物的话。Lomazzo的话放到今天的参数化设计依然有效。看看如今关于建筑师角色丧失的遍地哀嚎。。。
评分电子版全文，造福来者吧。 链接：https://pan.baidu.com/s/1fNbb9FJtjxnL-g_jPS1YEw 提取码：qid2
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