The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking.<br /> <br /> Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
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这是四年后的重读。一大阅读收获就是关于Serlio出版“七书”意义的讨论，Lomazzo抱怨过Serlio指导守则一般的建筑书似乎是要把所有人都“教育”成建筑师，如果大家以后都把建筑习以为常地单纯看做是一套建筑图纸的产物的话。Lomazzo的话放到今天的参数化设计依然有效。看看如今关于建筑师角色丧失的遍地哀嚎。。。
评分回顾历史，展望未来。也许各个时期建筑师都在思考着未来的方向，以及当前适合的，该做的以及可以做的，理论上或者实践上的方式。现在我们回头望去的，相对清晰的，所谓的哥特也好，文艺复兴也好，现代或者后现代也好，对于身处时代涡轮中的当时的建筑师也好艺术家也好，可能都没有我们现在看的这清楚。这里的清楚当然是非常相对的而言的。回到最开始的八个字，因为这基本上也是作者，MARIO CARPO想通过这本书作出的一个尝试。
评分这是四年后的重读。一大阅读收获就是关于Serlio出版“七书”意义的讨论，Lomazzo抱怨过Serlio指导守则一般的建筑书似乎是要把所有人都“教育”成建筑师，如果大家以后都把建筑习以为常地单纯看做是一套建筑图纸的产物的话。Lomazzo的话放到今天的参数化设计依然有效。看看如今关于建筑师角色丧失的遍地哀嚎。。。
评分信息技术，媒介与建筑史
评分信息技术，媒介与建筑史
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