Since the 1970s, Hong Kong has been home to arguably the world's most energetic, imaginative mass-market film industry. At its peak, it surpassed nearly all Western countries in number of films released, ruled the East Asian market, and produced movies (ranging from John Woo's action pictures to the comic adventures of Jackie Chan) that have thrilled global audiences and attained cult status in the West. This book offers a deeply informed and highly engaging look at how Hong Kong cinema has become one of the success stories of film history, and how it has influenced international film culture and the development of film as a medium. As sentimental and outrageous as Hong Kong films can be, David Bordwell demonstrates that they are not merely crowd-pleasing; they harbor remarkable inventiveness and careful craftsmanship and in many cases rise to the level of a rich and delightful art. Bordwell surveys the historical conditions that fueled the rise of this cinema: the high output, shrewd entrepreneurship, changing world tastes, and a unique skill in action genres that cross cultural boundaries. Considering both the movies themselves and the bigger picture, he moves from deft and detailed analyses of many classics of this tradition to a broader assessment of the basic strategies and impulses of mass entertainment.
大卫・波德威尔
大卫・波德威尔,威斯康辛大学麦迪逊分校教授,是当今世界一流的电影学者。他对香港电影情有独钟,到香港多次调查研究后再以其深厚学养写成此书,对香港电影自20世纪70年代至今的艺术成就及其对国际影坛的贡献分析入微。
身为当下最具影响力和知名度的电影学者,大卫波德维尔始终缀笔耕耘,研究相当范围广泛,从好莱坞电影到欧洲电影,再到东亚电影都有所涉猎,同时对电影理论的研究也十分深入,并提出了“中间阶层”的研究方法和电影诗学的研究方法。不仅如此,波德维尔始终关注着学术知识的大众...
评分 评分图书馆里我是怎么拿到这本关于香港电影的学术书的,不记得了,也许是随手一翻前言中的一句,“我只看过约370部港产片(你若认为已够多,还不算忠实影迷)”撩拨起了我的兴趣。任谁这么认真做功课做出来的成果定然不会太寒碜——这功课还是电影哪,我才看了不到他1/10数量的...
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评分丫一谈政治我就想咆哮
评分丫一谈政治我就想咆哮
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