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To gain a deeper understanding of the literary movement that has dominated recent Anglo-American literary criticism, The Pursuit of Signs is a must. In a world increasingly mediated, it offers insights into our ways of consuming texts that are both brilliant and bold. Dancing through semiotics, reader-response criticism, the value of the apostrophe and much more, Jonathan Culler opens up for every reader the closed world of literary criticism. Its impact on first publication, in 1981, was immense; now, as Mieke Bal notes, 'the book has the same urgency and acuity that it had then', though today it has even wider implications: 'with the interdisciplinary turn taking hold, literary theory itself, through this book, becomes a much more widespread tool for cultural analysis'.
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前麵幾篇都是中規中矩的對結構主義和後結構主義的闡釋，還包括瞭Fish的理論。隻有apostrophe、關於鏡與燈的幾篇提齣瞭非常有意思有亮點的問題，然而解釋的卻不太令人滿意。總感覺少瞭點厚度，是個中規中矩的文學理論傢。
评分結閤Culler的On Deconstruction一起看好像更明白一些。
评分前麵幾篇都是中規中矩的對結構主義和後結構主義的闡釋，還包括瞭Fish的理論。隻有apostrophe、關於鏡與燈的幾篇提齣瞭非常有意思有亮點的問題，然而解釋的卻不太令人滿意。總感覺少瞭點厚度，是個中規中矩的文學理論傢。
评分前麵幾篇都是中規中矩的對結構主義和後結構主義的闡釋，還包括瞭Fish的理論。隻有apostrophe、關於鏡與燈的幾篇提齣瞭非常有意思有亮點的問題，然而解釋的卻不太令人滿意。總感覺少瞭點厚度，是個中規中矩的文學理論傢。
评分結閤Culler的On Deconstruction一起看好像更明白一些。
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