Focusing on the work of four contemporary filmmakers -- Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang -- the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
有愛的一群人。
评分幾本比較下來，平心而論，本土評論傢多教科書式論述，西方對颱的分析反而新奇有趣甚至切中要害
评分Camping out with Tsai Ming-liang
评分政治、文化、産業背景下的發展簡史，較少個體的風格研究，也不太深入
评分政治、文化、産業背景下的發展簡史，較少個體的風格研究，也不太深入
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