A graphic novel classic with a new introduction by Art Spiegelman Quinn writes mysteries." The Washington Post" has described him as a "post-existentialist private eye." An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print. Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.
符号学的意义是这本书的中心主题之一,其中老Peter Stillman寻求“终极意符”(the ultimate signifier)的行为让我想到博尔赫斯的《假人》的开头: “如果说名字是事物的原型 (希腊人曾在《克拉提勒斯》里说过), ‘玫瑰’一词的字母里就有玫瑰花, ‘尼罗’这个词就有滔滔...
评分这个故事和时间、口语一样,在它们产生的那一刹那就已经完全失去,永远没有回头的可能。在悬疑、侦探的烟雾下,这却是一个关于语言本身的故事。关于语言的一些洞见,已经超越了最深刻的学者的智力高度。而讲述故事所使用的语言也完美到一个境界----我们享受的是那些说出来就不...
评分一本讲述语言和“侦“”探”本义的侦探小说,漫画改编十分巧妙。 想起前些天在电视上掠过的一部老式的讲述魔法和巫女的片子。"The ability to name a subject is the most powerful force in the universe. "
评分一本讲述语言和“侦“”探”本义的侦探小说,漫画改编十分巧妙。 想起前些天在电视上掠过的一部老式的讲述魔法和巫女的片子。"The ability to name a subject is the most powerful force in the universe. "
评分符号学的意义是这本书的中心主题之一,其中老Peter Stillman寻求“终极意符”(the ultimate signifier)的行为让我想到博尔赫斯的《假人》的开头: “如果说名字是事物的原型 (希腊人曾在《克拉提勒斯》里说过), ‘玫瑰’一词的字母里就有玫瑰花, ‘尼罗’这个词就有滔滔...
It's like getting drowned in the sun.
评分graphics novel
评分本书是以保罗奥斯特city of glass为基础的绘本,黑白的风格让人想起马修斯卡德的教堂..竟然是同一个纽约
评分Holy shit masterpiece as much for the story itself as the amazing illustrations! Read it this afternoon non stop, didn't buy it though because the book was too wore out. Once I found a better version will definitely add it to my collection!
评分5555555太好看了
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