State of Fear

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出版者:HarperCollins
作者:Michael Crichton
出品人:
页数:624
译者:
出版时间:2004-12-7
价格:USD 7.98
装帧:Hardcover
isbn号码:9780066214139
丛书系列:
图书标签:
  • 小說
  • 惊悚
  • 悬疑
  • 科幻
  • 环境恐怖
  • 灾难
  • 阴谋论
  • 动作
  • Michael Crichton
  • 小说
  • 技术惊悚
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Book Description

The undisputed master of the techno-thriller has written his most riveting -- and entertaining -- book yet.

Once again Michael Crichton gives us his trademark combination of page-turning suspense, cutting-edge technology, and extraordinary research. State of Fear is a superb blend of edge-of-your-seat suspense and thought provoking commentary on how information is manipulated in the modern world. From the streets of Paris, to the glaciers of Antarctica to the exotic and dangerous Solomon Islands, State of Fear takes the reader on a rollercoaster thrill ride, all the while keeping the brain in high gear.

Amazon.com Exclusive Content

A Michael Crichton Timeline

1942: John Michael Crichton is born in Chicago, Illinois on Oct. 23.

1960: Crichton graduates from Roslyn High School on Long Island, New York, with high marks and a reputation as a star basketball player. He decides to attend Harvard University to study English. During his studies, he rankles under his writing professors' criticism. As an act of rebellion, Crichton submits an essay by George Orwell as his own. The professor doesn’t catch the plagiarism and gives Orwell a B-. This experience convinces Crichton to change his field of study to anthropology.

1964: Crichton graduates summa cum laude from Harvard University in anthropology. After studying further as a visiting lecturer at Cambridge University and receiving the Henry Russell Shaw Travelling Fellowship, which allowed him to travel in Europe and North Africa, Crichton begins coursework at the Harvard School of Medicine. To help fund his medical endeavors, he writes spy thrillers under several pen names. One of these works, A Case of Need, wins the 1968 Mystery Writers of America's Edgar Allan Poe Award.

1969: Crichton graduates from Harvard Medical school and is accepted as a post-doctoral fellow at the Salk Institute for Biological Science in La Jolla, Calif. However, his career in medicine is waylaid by the publication of the first novel under his own name, The Andromeda Strain. The novel, about an apocalyptic plague, climbs high on bestseller lists and is later made into a popular film. Crichton said of his decision to pursue writing full time: "To quit medicine to become a writer struck most people like quitting the Supreme Court to become a bail bondsman."

1972: Crichton's second novel under his own name The Terminal Man, is published. Also, two of Crichton's previous works under his pen names, Dealing and A Case of Need are made into movies. After watching the filming, Crichton decides to try his hand at directing. He will eventually direct seven films including the 1973 science-fiction hit Westworld, which was the first film ever to use computer-generated effects.

1980: Crichton draws on his anthropology background and fascination with new technology to create Congo, a best-selling novel about a search for industrial diamonds and a new race of gorillas. The novel, patterned after the adventure writings of H. Ryder Haggard, updates the genre with the inclusion of high-tech gadgets that, although may seem quaint 20 years later, serve to set Crichton's work apart and he begins to cement his reputation as "the father of the techno-thriller."

1990: After the 1980s, which saw the publication of the underwater adventure Sphere (1987) and an invitation to become a visiting writer at the Massachusetts Institute of Technology (1988), Crichton begins the new decade with a bang via the publication of his most popular novel, Jurassic Park. The book is a powerful example of Crichton's use of science and technology as the bedrock for his work. Heady discussion of genetic engineering, chaos theory, and paleontology run throughout the tightly-wound thriller that strands a crew of scientists on an island populated by cloned dinosaurs run amok. The novel inspires the 1993 Steven Spielberg film, and together book and film will re-ignite the world’s fascination with dinosaurs.

1995: Crichton resurrects an idea from his medical school days to create the Emmy-Award Winning television series ER. In this year, ER won eight Emmys and Crichton received an award from the Producers Guild of America in the category of outstanding multi-episodic series. Set in an insanely busy an often dangerous Chicago emergency room, the fast-paced drama is defined by Crichton's now trademark use of technical expertise and insider jargon. The year also saw the publication of The Lost World returning readers to the dinosaur-infested island.

2000: In recognition for Crichton's contribution in popularizing paleontology, a dinosaur discovered in southern China is named after him. "Crichton's ankylosaur" is a small, armored plant-eating dinosaur that dates to the early Jurassic Period, about 180 million years ago. "For a person like me, this is much better than an Academy Award," Crichton said of the honor.

2004: Crichton’s newest thriller State of Fear is published.

From Publishers Weekly

If Crichton is right–if the scientific evidence for global warming is thin; if the environmental movement, ignoring science, has gone off track; if we live in what he in his Author’s Message calls a "State of Fear," a "near-hysterical preoccupation with safety that’s at best a waste of resources and a crimp on the human spirit, and at worst an invitation to totalitarianism"–then his extraordinary new thriller may in time be viewed as a landmark publication, both cautionary and prophetic. If he is wrong, then the novel will be remembered simply as another smart and robust, albeit preachy, addition to an astonishing writing career that has produced, among other works, Jurassic Park, Rising Sun, Disclosure and The Andromeda Strain. Crichton dramatizes his message by way of a frantic chase to prevent environmental terrorists from wreaking widespread destruction aimed at galvanizing the world against global warming. A team lead by MIT scientist/federal agent John Kenner crosses the globe to prevent the terrorists from calving a giant Antarctic iceberg; inducing terrible storms and flash floods in the US; and, using giant cavitators, causing a Pacific tidal wave. Behind the terrorists lurks the fantatical, fund-seeking chief of a mainstream environmental group; on Kenner’s team, most notably, is young attorney Peter Evans, aka everyman, whose typically liberal views on global warming chill as Kenner instructs him in the truth about the so-called crisis. The novel is dense with cliffhangers and chases and derring-do, while stuffed between these, mostly via Kenner’s dialogue, is a talky yet highly provocative survey of how Crichton thinks environmentalism has derailed. There are plenty of ready-to-film minor characters as well, from a karate-kicking beauty to a dimwitted, pro-environmentalist TV star who meets one of the nastiest fates in recent fiction. There’s a lot of message here, but fortunately Crichton knows how to write a thriller of cyclonic speed and intensity. Certainly one of the more unusual novels of the year for its high-level mix of education and entertainment, with a decidedly daring contrarian take, this take-no-prisoners consideration of environmentalism wrapped in extravagantly enjoyable pages is one of the most memorable novels of the year and is bound to be a No.1 bestseller.

From Booklist

Crichton's novels often tackle cutting-edge technology and its implementation, but his latest addresses an issue that's been around for a bit longer: global warming. Millionaire George Morton is about to donate $10 million to the National Environmental Research Fund (NERF) when he suddenly decides against it. His lawyer, Peter Evans, is as surprised as anyone and is drawn into a web of intrigue after Morton's car careens off the road and Morton is presumed dead. Just before his "death," Morton was in contact with Dr. John Kenner, a researcher at the Center for Risk Analysis, who opposes NERF's agenda and presents Evans with some startling evidence about global warming. With Evans and Morton's assistant, Sarah, in tow, Kenner travels to Antarctica, where he learns that a group of environmental extremists are planning several attacks of environmental terror to convince the world of impending ecological disaster. The thrills in Crichton's latest are interspersed with fascinating but occasionally dense ecological facts and data, but he backs his assertions about the unpredictability of climate change with copious research and footnotes. Perhaps his most serious and important book yet.

                            Kristine Huntley

From AudioFile

The author of THE ANDROMEDA STRAIN and JURASSIC PARK has created a combination of thought-provoking commentary and nail-biting action-adventure, which focuses on how scientific information, like the theory of global warming, is manipulated in the modern world. Against a backdrop of international locales, narrator George Wilson brings a pulse-quickening tempo to the action-adventure parts but grows lethargic as the scientists pontificate for long stretches. Sloppy production allows three edits to interrupt the flow of the story. Crichton's volatile mix of gory action and hard-core science challenges many of today's precepts about global warming but ultimately fails to entertain or enlighten.

About Author

Michael Crichton was born in Chicago in 1942. His novels include The Andromeda Strain, Congo, Jurassic Park, and Timeline. He is also the creator of the television series ER.

Book Dimension :

length: (cm)23.8             width:(cm)16.5

好的,以下是一本名为《未尽的航程》的图书简介,内容与《State of Fear》无关,力求详尽、自然。 《未尽的航程》 作者: 艾莉丝·范德堡 类型: 历史小说/人物传记 页数: 680页 导言:历史的尘埃与一位女性的目光 在十九世纪末至二十世纪初的欧洲大陆上,权力更迭的巨响掩盖了无数个人命运的细微声响。我们习惯于从宏大的政治叙事中回溯那段动荡的岁月,却往往忽略了那些身处时代洪流,却以自身坚韧和智慧在夹缝中寻求生存与突破的个体。《未尽的航程》正是这样一部聚焦于边缘人物的史诗级作品。它并非一部探讨地缘政治冲突或工业革命技术突破的编年史,而是一份对人性的深度挖掘,以一位女性,伊莎贝拉·冯·霍夫曼的坎坷一生为经,以她跨越德意志邦国、法兰西帝国乃至奥斯曼边境的流亡经历为纬,编织出一部关于理想、背叛与坚守的动人画卷。 本书的叙事核心,围绕着伊莎贝拉——一位出身于普鲁士东部没落贵族家庭的女性展开。她的早年生活,是传统与现代思想激烈碰撞的缩影。小说伊始,我们被带入她位于波森省(今波兰境内)的庄园,一个看似宁静却暗流涌动的世界。伊莎贝拉的父亲,一位坚守旧日荣光的保守派贵族,与她的导师——一位深受启蒙思想影响的流亡法国学者之间的冲突,构成了她早年世界观的基石。 第一部分:柏林的喧嚣与理想的萌芽(1878-1890) 1878年,随着德意志帝国统一后的稳定,柏林成为欧洲政治和学术的中心。伊莎贝拉在十六岁时,以外省贵族女儿的身份进入这座钢铁与煤灰构筑的都市,目标是进入当时女性难以企及的柏林大学旁听课程。 这一部分详细描绘了十九世纪末柏林社会对女性受教育权利的压制与抗争。伊莎贝拉并非一个单纯的浪漫主义者,她的求知欲源于对自然科学,特别是早期物理学和化学理论的狂热。通过细腻的笔触,作者还原了当时大学讲堂内,女性听众与男性学生之间微妙的紧张关系,以及她如何通过匿名投稿,在小型科学期刊上发表关于电磁学理论的早期观点。 关键转折点发生在1887年。伊莎贝拉被卷入一个松散的、致力于社会改良的知识分子圈子。这个圈子成员复杂,既有渴望社会平等的社会主义者,也有主张民族自决的激进分子。她并非政治家,却被其思想的纯粹性所吸引。她与一位年轻的、富有魅力的奥匈帝国记者尤利安的相遇,为她日后的命运埋下了伏笔。尤利安带给她的,不仅是爱情,更是一种对“大欧洲”理想的憧憬,一种超越狭隘国界的公民身份的想象。然而,这种理想主义的社交活动,在当时敏感的政治环境下,很快引起了普鲁士宫廷警察的注意。 第二部分:十字路口的抉择与流亡的开始(1891-1905) 随着俾斯麦体制的瓦解和威廉二世日益强硬的政策,柏林的政治气氛变得令人窒息。伊莎贝拉因其父亲的旧日人脉和她自身的活动,被列入了“可疑分子”名单。尤利安——这位奥匈帝国的公民——也因在巴尔干地区进行的几篇带有强烈批评色彩的报道而面临引渡风险。 1892年,在一次警方突袭前的数小时,伊莎贝拉被迫做出选择:留下,面对随之而来的审判与羞辱,还是追随尤利安离开故土。她选择了后者。 本书的第二部分,详尽记录了他们从柏林到维也纳,再到最终定居巴黎的逃亡之路。这不再是贵族间的旅行,而是颠沛流离的挣扎。作者花费了大量篇幅,细致刻画了流亡者在异国他乡生存的艰辛:语言障碍、身份的缺失、以及长期被监视的心理压力。 在巴黎,伊莎贝拉试图重拾她的科学研究。她通过为一家新兴的化学品进出口公司担任翻译和技术顾问,维持生计。她并非投身于巴黎的艺术沙龙,而是深入到当时法国工业革命的腹地,观察新兴的化学合成技术如何重塑生活。这一时期的她,逐渐从对宏大政治理想的追逐中抽离出来,转而关注具体、可操作的科学应用,并与一位老迈的、曾参与巴斯德研究所早期工作的化学家建立了非正式的师徒关系。 第三部分:东方的迷雾与家族的回归(1906-1914) 尤利安对政治的执着并未消减,他渴望在巴尔干的冲突中找到自己“统一欧洲”理想的实践土壤。1908年,他受邀前往萨拉热窝,参与一家新兴的民族报纸的创办工作。伊莎贝拉怀着不安的心情跟随他,来到了奥匈帝国统治下的波斯尼亚。 这一部分是对十九世纪末巴尔干地区复杂民族关系和帝国主义角力的深入描摹。作者通过伊莎贝拉的视角,展示了她如何目睹民族主义的兴起如何被外部势力利用和扭曲。她不再相信任何宏大的“主义”能带来真正的和平,转而关注当地农业的实际问题,并尝试利用自己在化学方面的知识,帮助当地农民改进土壤改良技术。 高潮出现在1914年夏。尽管她已经预感到局势的紧绷,但萨拉热窝的刺杀事件依然像晴天霹雳。尤利安的政治背景使他迅速被卷入调查,伊莎贝拉不得不动用所有她在过去二十年里积累的人脉——从柏林的旧识到巴黎的化学界朋友——来保护他。最终,她成功地将他引渡至相对安全的瑞士,但她自己却因为处理一笔涉及德国军工企业的财务文件而被奥匈当局短暂扣留。 在被释放后,伊莎贝拉没有选择流亡,而是做出了一个令人震惊的决定:返回她的故乡波森。她的父亲已故,家族庄园岌岌可危。她要回去,不是为了贵族的荣耀,而是为了保住那片她童年记忆中的土地,以及那里世代耕种的农民。 尾声:静默的坚守与科学的慰藉 最后一章的叙事节奏放缓,聚焦于伊莎贝拉在战争爆发前夕的最后几年。她利用她在法国和奥地利学到的管理和技术知识,将家族庄园转型为一家现代化的、自给自足的农业合作社雏形。她与外界政治的联系被彻底切断,她的生活回归到泥土、作物和实验室的微观世界中。 《未尽的航程》并非讲述一位女性如何颠覆世界,而是描述她如何在一个不断崩塌的世界中,为自己和少数追随者构建一个“微型稳定区”。她从未获得巨大的名声,她的科学发现也大多未被主流学界认可,她的政治理想也最终被战争的火焰吞噬。然而,她最终的成就,是她个人的韧性和对实用知识的尊重——她用自己的双手,在旧世界的废墟上,开辟了一条属于自己的、宁静而坚实的道路。 本书的魅力在于其细节的真实性,它让读者得以穿透历史的迷雾,触摸到一个在巨大历史背景下,依然努力保持自我、追求知识与尊严的鲜活灵魂。这艘“航程”,最终没有抵达预定的彼岸,却在风暴中学会了如何更稳健地航行。

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《侏罗纪公园》作者的作品,喜欢那部电影,于是下载来看。一开始有些看不下去,里面有大量的关于全球变暖的论述和专业术语,但也竟然坚持看完了。 我也像书中主角一样,认为全球变暖是毋庸置疑的,这种观念的形成没有任何科学根据,而是来自印象中大量的报道。随着剧情...  

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在这部书中,作者延续了善于编织故事,以丰富想象力和开阔的科学知识见长的写作风格.关注是对象是21世纪引起全球关注的温室效应.通过曲折的故事设计,丰富的科技研究知识,作者试图说明人类对自然的影响与自然自身变化之间的关系.对貌视的科学的研究其实常常被人为操纵,成为利益渠...

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‘自然平衡是种幻想,大自然永远不会平衡,自然界总是处于失衡状态,人类曾被定义为自然秩序的最大破坏者,根本不是这么回事,整个环境无时无刻不在受到种种破坏’--------迈克尔.克莱顿。 我相信,作者更多是出于一种类似‘使命感’的驱使,而非经济利益,写下这...  

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《侏罗纪公园》作者的作品,喜欢那部电影,于是下载来看。一开始有些看不下去,里面有大量的关于全球变暖的论述和专业术语,但也竟然坚持看完了。 我也像书中主角一样,认为全球变暖是毋庸置疑的,这种观念的形成没有任何科学根据,而是来自印象中大量的报道。随着剧情...  

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在这部书中,作者延续了善于编织故事,以丰富想象力和开阔的科学知识见长的写作风格.关注是对象是21世纪引起全球关注的温室效应.通过曲折的故事设计,丰富的科技研究知识,作者试图说明人类对自然的影响与自然自身变化之间的关系.对貌视的科学的研究其实常常被人为操纵,成为利益渠...

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我是在一个周末一口气读完的,几乎忘记了时间的存在。它的魅力在于其无与伦比的氛围营造能力。那种渗透在文字间的、对即将到来的灾难的集体性无感和个体性的恐慌,被描绘得淋漓尽致。作者擅长利用环境的描写来映射人物的内心世界和外部的威胁,比如对天气变化的细致观察,或是一段长长的、没有任何对话的行进描写,都充满了象征意义。读到后半段,我发现自己开始不自觉地去观察周围的环境,去揣测那些日常生活中被忽略的细节——路边的一个可疑包裹,邻居异样的眼神,甚至是远方传来的微弱声响。这种潜移默化的影响,说明了作者成功地将故事中的“警惕感”植入了读者的潜意识。而且,书中关于组织内部沟通障碍和信息失真链条的分析,具有极强的现实指导意义,它揭示了为何在面对巨大挑战时,最清晰的指令也会被扭曲成最无效的行动。

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这部作品的叙事结构堪称精妙绝伦,它不像传统小说那样线性推进,而是像一个多维度的立体投影,不同的时间线、不同的观察者视角,像精密仪器般相互交错、互相印证。初读时,你会感到叙事跳跃性很大,有时甚至会因为信息量过载而感到些许眩晕,但这正是作者的高明之处——他故意让你感到“不知情”,以模拟角色在信息真空中的状态。每一个章节的结尾,都像是一个未解的数学难题,迫使你必须继续向下挖掘。最让我印象深刻的是,作者对“沉默”的使用达到了出神入化的地步。很多时候,人物之间没有对话,但通过他们肢体语言的细微变化,或者仅仅是内心独白中的停顿,所传达出的信息量,远超千言万语。这本书带来的震撼,不是来自于动作场面的多少,而是来自于对人类在极端压力下心理防线的层层瓦解与重塑过程的近距离观察,它让你不得不严肃思考,在真正的风暴来临时,我们真正依赖的,究竟是什么。

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这本书最令人着迷的地方,在于它对“不确定性”的极致运用。它没有给出任何廉价的答案,也没有提供一个舒适的收尾。相反,它将你抛入一个由层层迷雾构筑的迷宫,每当你以为抓住了线索,作者便会轻轻地将线索抽走,让你重新审视自己所站立的基础是否稳固。这种叙事策略,极大地考验了读者的耐心和理解力,但回报是丰厚的。我非常欣赏这种不媚俗的创作态度,它尊重读者的智商,相信读者有能力去处理复杂的、模棱两可的局面。书中关于人际信任的探讨,更是触及了社会运作的核心悖论:我们必须依赖他人,但过度依赖又可能带来致命的后果。每一次人物之间的坦诚相待,都伴随着巨大的风险,而每一次背叛,都如同精准的外科手术刀,切开了脆弱的社会连接。这种对人类关系复杂性的深刻挖掘,让这本书的厚度远超其纸面上的页数。

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这部作品的展开简直是场视觉与智力的盛宴,作者似乎对人性的幽微之处有着近乎偏执的洞察力,笔下的每一个角色都仿佛是从现实的泥土中精心雕琢而出,带着各自的纹理与无法磨灭的印记。故事的节奏控制得极其精妙,初看之下似乎线索万千,杂乱无章,但随着情节的层层剥茧,那些看似无关的碎片如同被无形的磁力牵引,最终汇聚成一幅宏大而令人震撼的图景。我尤其欣赏作者在描绘复杂政治博弈时的那种冷静与克制,没有将任何一方简单地塑造成纯粹的善或恶,而是将他们置于一个道德的灰色地带,迫使读者必须跳出固有的框架去审视事件的来龙去脉。那种悬念的营造,并非依赖突兀的惊吓,而是通过环境的压抑感、人物对话中潜藏的暗流,以及对潜在威胁的微妙暗示,让你在阅读过程中始终保持着一种略带焦虑的兴奋感。书中的某些场景,那种细致入微的环境描写,几乎让我能闻到空气中弥漫的尘土味和紧张感,仿佛自己就置身于那个危机四伏的境地,每一次翻页都带着一种既期待又害怕真相揭晓的矛盾心理。这种将阅读体验提升到近乎沉浸式剧场的高度,是许多小说难以企及的成就。

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读完这本书,我感到一股久违的智力上的满足感,这绝不是那种可以轻易被消费掉的快餐式读物。它更像是一块需要时间去细细咀嚼和反思的陈年佳酿。作者似乎拥有一种罕见的笔力,能够将宏大的主题——比如权力、信仰与社会结构——巧妙地编织进角色微小的日常挣扎之中,使得那些深刻的哲学思辨变得触手可及,而非高高在上。特别是在探讨信息不对称性对个体决策影响的那几个段落,简直是教科书级别的论证,它并非生硬地灌输观点,而是通过情节的张力,让你自己得出结论。书中对不同文化背景下人们应对危机的反应差异的刻画,尤为精准和鞭辟入里,展现了一种超越国界的普世人性,但也同时凸显了根深蒂固的文化差异如何成为理解彼此的巨大障碍。我不得不佩服作者的资料搜集和背景构建能力,那些专业术语和历史典故的运用,都显得水到渠成,绝无堆砌之感,这为故事的真实性打下了坚实的基础,让虚构的故事也具备了令人信服的重量。

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好像看完一套好萊塢電影!!角色分配,我已經想好了!!

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好像看完一套好萊塢電影!!角色分配,我已經想好了!!

评分

好像看完一套好萊塢電影!!角色分配,我已經想好了!!

评分

好像看完一套好萊塢電影!!角色分配,我已經想好了!!

评分

好像看完一套好萊塢電影!!角色分配,我已經想好了!!

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