A Nobel Prize-winning economist and author of Globalization and Its Discontents challenges perceptions about financial theories stemming from the apparent prosperity of the 1990s, noting such factors as reduced accounting standards and deregulation that caused the economic problems of today. Reprint. 50,000 first printing.
Publisher Comments:
"The Roaring Nineties offers not only an insider's illuminating view of policymaking but also a compelling case that even the Clinton administration was too closely tied to the financial community--that along with enormous economic success in the nineties came the seeds of the destruction visited on the economy at the end of the decade. The paperback includes a new introduction that reviews the continued failure of the Bush administration's policies, which have taken a bad situation and made it worse.
Synopsis:
Stiglitz offers not only an insider's illuminating view of policymaking but also alleges that even the Clinton administration was too closely tied to the financial community--that along with enormous economic success in the nineties came the seeds of the destruction visited on the economy at the end of the decade.
From Publishers Weekly
As an economic adviser to President Clinton and a World Bank official, Nobel Prize winner Stiglitz (Globalization and Its Discontents) had a front-row seat for the financial boom of the 1990s. He discusses how, contrary to all theory, reducing the national deficit led to the economic upswing, but his interest lies not in how the bubble happened but in those qualities that eventually led to its collapse. One of his chief arguments is that although efficient markets depend upon the free flow of information, deregulation enabled corporations like Enron to present distorted financial data, "stealing money from their unwary shareholders" in the process. Financial analysts also withheld frank assessments from investors to maintain their insider status, and the "conflicts of interest gone out of control" inevitably led to disaster. The book suggests Federal Reserve chairman Alan Greenspan could have slowed things down, but failed to back up tentative public remarks with firm action. The Clinton administration also comes in for some of the blame for pressuring foreign countries to adopt policies it wouldn't apply to its own economy. But the largest portion of the blame is doled out to George W. Bush for mishandling the initial stages of the recession, allowing it to spiral dangerously in the name of free markets. Instead, Stiglitz calls for just enough regulation to promote what he dubs "Democratic Idealism," a fairly standard liberal platform of social justice and economic reform. Whatever one thinks of his long-term goals, the straightforward and well-reasoned summation of the last decade's market trends has a convincing ring of truth.
From Booklist
Stiglitz, a Nobel Prize-winning economist and academic who served in the Clinton administration, reflects on his experiences in Washington and what he learned there. Among his many themes, he declares his beliefs that government should play a major (if limited) oversight role in the markets and that it should be an advocate for social justice. He feels that the rule of finance in the 1990s was supreme and government deferred too much to Wall Street; the prosperity and growth of that decade laid the foundation for today's economic problems, including too much deregulation, inadequate accounting standards, and pandering to corporate greed. Issues of globalization concern him greatly, and he analyzes the current situation in America and other developed countries and suggests future action. Although critical of Clinton-era policies, he reserves much harsher analysis for both Bush administrations. Stiglitz believes that citizens must understand the basic issues confronting our society and the way their government works; this book^B is an excellent primer.
Mary Whaley
Book Dimension
Height (mm) 212 Width (mm) 142
当国内经济还挣扎在市场取向与小政府改革的泥潭之时,有良知的经济学家大声疾呼要建设好的市场经济——以宪政为基础的法治市场经济,社会各界对此莫不寄予厚望和期盼,但是来自大洋彼岸最“自由”和最“繁荣”的美国却发出了另一个声音,本书的作者,当今美国最顶尖的经济学...
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評分作者作为九十年代克林顿政府政策制订参与者,对于当时各种政策的出台背景有一定的信息优势,但是作为民主党的智囊,立场确难以完全客观。对克林顿的前任和继任者都有不同程度的否定,但是能做到自我批评确也实属不易。作者对九十年代高增长低通胀的经济状况进行了深入分析,并...
評分1.市场处于经济体的中心位置,但是政府仍扮演重要的角色,不应放松管制,精简人员,这一切建立在政府的效率低的前提下,如果能使政府的运转有效,应该加强管制 2.全球化的骗局,美国用华丽的伪善去剥削发展中国家,把自己的产品打入发展中国家的市场,却将发展中国家的农产品拒...
評分金融危机三部曲 《经济学原理》 格里高斯•曼昆 《喧嚣的九十年代》 斯蒂格利茨 《郎咸平说:谁都逃不过金融危机》 郎咸平 经济危机迅速波及开来,中国被迫进入一场全球规模的经济大浩劫。但是,由于国内对于西方经济学常识的传播长期以来一直存在缺失,而全球化浪潮早...
這本書的封麵設計給我一種強烈的“入口感”,仿佛是通往另一個平行世界的門票。我希望故事的開篇就能迅速抓住我的注意力,不是靠突發的事件,而是靠氛圍的營造。我喜歡那種慢熱但後勁十足的故事,需要讀者付齣一些耐心去解讀,但一旦進入狀態,就無法自拔。我尤其關注作者如何處理不同社會階層之間的互動和衝突,一個時代的麵貌,往往是通過這些不同群體之間的碰撞纔能完整展現齣來的。是精英階層主導瞭敘事,還是底層人民的掙紮發齣瞭真實的聲音?我期待看到的是一個立體且充滿張力的社會結構圖景。如果作者能描繪齣那個時代特有的“焦慮”和“夢想”的交織狀態,讓人感受到那種在急速變化中既興奮又不安的復雜心緒,那麼這本書就成功瞭一半。我希望它能讓我放下手機,完全沉浸在文字構建的世界裏,體驗到那種久違的、純粹的閱讀沉浸感,那種仿佛時間都為你靜止的感覺。
评分說實話,我挑選書籍很大程度上是看重它的“氣場”。這本書拿到手上,就有一種沉靜而厚重的氣息,不像那些嘩眾取寵的暢銷書,讀完就忘。我非常看重作者的“聲音”——那種獨特的、不可替代的寫作腔調。我希望文字本身就具有一種音樂性,即使是描述最枯燥的政治談判或經濟數據,也能從中聽齣節奏和韻律。我最欣賞的是那些能夠用極簡的筆墨勾勒齣宏大場景的作傢,他們懂得留白,懂得讓讀者參與到意義的構建中來。如果這本書充滿瞭過度解釋和冗餘的形容詞,我會感到非常失望。我期待的是一種剋製的美學,一種在敘事中保持距離感,卻又在情感上緊密連接讀者的平衡藝術。那些能夠精準捕捉到時代細微末節的詞匯,比如某個特定的俚語的興衰,某種流行服飾的退潮,這些纔是真正讓曆史“活”起來的細節。這本書如果能做到這一點,它就不僅僅是一本記錄曆史的書,而是一件藝術品。
评分讀完導言部分,我感到一股強烈的陌生感,但這種陌生感並非源於晦澀難懂的語言,而是源於作者對某些特定領域知識的精到掌握,這讓我對後續內容的專業性和可信度有瞭極高的期待。我希望作者在描述那些專業性較強的內容時,能夠做到既不失嚴謹性,又能用通俗易懂的方式嚮非專業讀者闡釋清楚,避免掉書袋式的堆砌術語。尤其是在處理那些技術革新或文化思潮的演變時,我期待看到清晰的脈絡梳理,而不是碎片化的信息轟炸。這本書如果能像一個高明的講故事的教授,引導我一步步走進一個全新的知識疆域,那將是極大的享受。我特彆關注作者在曆史觀上的站位,是批判性的審視,還是充滿溫情的懷舊?我傾嚮於前者,那種敢於直麵曆史陰影,挖掘不那麼光彩那一麵的勇氣,纔是一個成熟作品的標誌。如果它能提供一個全新的視角,讓我重新審視一些我原本認為理所當然的舊觀念,那麼這本書的價值就不可估量瞭。
评分啊,拿到這本新書,我簡直迫不及待地想沉浸其中。從書脊的質感到封麵設計那略帶復古的字體,就預示著這可能是一本非同尋常的佳作。我最看重的是作者敘事的功力,那些能讓人身臨其境的細節描寫,纔是區分平庸與傑齣的關鍵。我希望這本書能像一艘時間機器,把我瞬間拉迴到那個特定的曆史節點,去感受那個時代人們的心跳和呼吸。我期待它不僅僅是對曆史事件的簡單羅列,而是能深入挖掘那些被主流敘事忽略的、生活化的、充滿人情味的故事。比如,那個年代的咖啡館裏,知識分子們低聲討論的那些尚未成型的思想火花;街頭巷尾小商販的叫賣聲中,隱藏著經濟變遷的暗流;又或者,那些普通傢庭在時代洪流麵前,如何努力維持日常的溫情與尊嚴。如果作者能將宏大敘事與微觀個體命運巧妙地編織在一起,用細膩入微的筆觸勾勒齣那個時代的群像,那纔算得上是一次成功的閱讀體驗。我尤其關注作者對時代情緒的捕捉能力,那種集體性的樂觀、焦慮、或是潛藏的躁動,往往比事件本身更耐人尋味。我希望這本書能讓我讀完之後,能閤上書本,長久地陷入沉思,迴味文字中蘊含的深意,而不是僅僅停留在“讀完瞭”的錶層滿足感上。
评分這本書的排版和紙張的選用,給我一種很紮實的閱讀感受,這年頭,能用心做實體書的作者和齣版方真的不多瞭。我通常喜歡那種能經受住反復翻閱的書籍,每一頁的觸感都應該能承載住思想的重量。我對情節的推進速度沒有太高要求,但要求邏輯鏈條必須嚴密無瑕,不能有任何為瞭戲劇衝突而強行扭麯人物動機的地方。我更欣賞那些看似平淡卻暗藏玄機的敘事手法,比如通過物件的變遷來暗示時間的流逝,或者通過一段看似無關緊要的對話,來預示後續重大的轉摺。如果作者能巧妙地運用象徵主義的手法,讓某些元素貫穿始終,形成一種迴響,那無疑會大大提升作品的深度。我希望故事中的人物設定是復雜且多麵的,沒有絕對的英雄或惡棍,每個人物都帶著屬於自己的時代局限和人性掙紮。那種讀起來讓人感覺“對,生活就是這樣充滿矛盾和灰色地帶”的作品,纔真正抓住瞭現實的精髓。我期待它能帶來一種智力上的挑戰,讓我不斷地去推測作者的意圖,去解構文本背後的社會結構。
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