The third volume in J.R.R. Tolkien's epic adventure THE LORD OF THE RINGS
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
As the Shadow of Mordor grows across the land, the Companions of the Ring have become involved in separate adventures. Aragorn, revealed as the hidden heir of the ancient Kings of the West, has joined with the Riders of Rohan against the forces of Isengard, and takes part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escape into Fangorn Forest and there encounter the Ents. Gandalf has miraculously returned and defeated the evil wizard, Saruman. Sam has left his master for dead after a battle with the giant spider, Shelob; but Frodo is still alive—now in the foul hands of the Orcs. And all the while the armies of the Dark Lord are massing as the One Ring draws ever nearer to the Cracks of Doom.
“A triumphant close . . . a grand piece of work, grand in both conception and execution. An astonishing imaginative tour de force.” – Daily Telegraph
Includes the complete appendices and index for The Lord of the Rings trilogy.
J.R.R. Tolkien
It seems an unlikely formula for success: an Oxford professor of Anglo-Saxon, and a book that begins with a little man who lives in a hole in the ground. But The Hobbit, followed by The Lord of the Rings, created the modern genre of heroic fantasy and made J.R.R. Tolkien one of the most widely-read authors in the world.
Biography
John Ronald Reuel Tolkien was born on the 3rd January, 1892 at Bloemfontein in the Orange Free State, but at the age of four he and his brother were taken back to England by their mother. After his father's death the family moved to Sarehole, on the south-eastern edge of Birmingham. Tolkien spent a happy childhood in the countryside and his sensibility to the rural landscape can clearly be seen in his writing and his pictures.
His mother died when he was only twelve and both he and his brother were made wards of the local priest and sent to King Edward's School, Birmingham, where Tolkien shine in his classical work. After completing a First in English Language and Literature at Oxford, Tolkien married Edith Bratt. He was also commissioned in the Lancashire Fusiliers and fought in the battle of the Somme. After the war, he obtained a post on the New English Dictionary and began to write the mythological and legendary cycle which he originally called "The Book of Lost Tales" but which eventually became known as The Silmarillion.
In 1920 Tolkien was appointed Reader in English Language at the University of Leeds which was the beginning of a distinguished academic career culminating with his election as Rawlinson and Bosworth Professor of Anglo-Saxon at Oxford. Meanwhile Tolkien wrote for his children and told them the story of The Hobbit. It was his publisher, Stanley Unwin, who asked for a sequel to The Hobbit and gradually Tolkien wrote The Lord of the Rings, a huge story that took twelve years to complete and which was not published until Tolkien was approaching retirement. After retirement Tolkien and his wife lived near Oxford, but then moved to Bournemouth. Tolkien returned to Oxford after his wife's death in 1971. He died on 2 September 1973 leaving The Silmarillion to be edited for publication by his son, Christopher.
Author biography courtesy of HarperCollins (UK).
說實話,這本書的閱讀門檻有點高,一開始我確實有些迷失在那些復雜的人名和錯綜復雜的地緣政治關係中,需要經常迴頭查閱前文的設定。但這絕不是缺點,反而體現瞭作者構建世界的野心和深度。一旦跨過瞭最初的適應期,你會發現自己被一個邏輯嚴密、內部關聯性極強的宇宙所吸引。更令人稱道的是,作者成功地在宏大的史詩敘事下,保留瞭極其細膩的個人情感綫索。那些小人物的命運,那些未被曆史銘記的犧牲,同樣牽動人心。我常常因為某個不起眼的小配角所展現齣的堅韌或悲愴而感到喉嚨發緊。這種全景式的敘事手法,讓整個故事充滿瞭真實感和厚重感,它不是在講述一個童話,而是在描繪一場真實發生過的、影響瞭億萬生命的偉大變革。讀完之後,我感覺自己對曆史的理解都得到瞭升華,明白真正的英雄往往不是那些手持利劍的人,而是那些在絕境中依然選擇善良和堅持的人。
评分這本史詩般的巨著,讀完之後,我感覺自己的靈魂仿佛被拉進瞭一個完全不同的時空維度,那種沉浸感是前所未有的。它不僅僅是一個關於戰爭和權力的故事,更是對人性深處最復雜、最黑暗,同時也最光輝一麵的深刻剖析。我特彆欣賞作者對於不同種族和文化細緻入微的描繪,那些古老的語言、繁復的儀式,以及他們對各自土地根深蒂固的情感,都構建齣瞭一個令人信服的宏大世界觀。尤其是關於“責任”與“犧牲”的主題,書中幾個主要角色的抉擇,那種近乎殘忍的艱難,讓人在閱讀時忍不住屏住呼吸,心頭為之一緊。有那麼幾個瞬間,我甚至能聞到空氣中彌漫的硝煙味,感受到角色們在絕境中相互扶持的微弱暖意。敘事的節奏把握得極佳,時而如平靜的溪流緩緩流淌,鋪陳背景和細膩的情感;時而又如同火山爆發般急促猛烈,將讀者瞬間拋入高潮的漩渦。這種張弛有度的敘事技巧,使得即便是篇幅宏大,閱讀過程也從未感到拖遝或冗餘,每一次翻頁都充滿瞭對後續發展的期待與敬畏。
评分我得說,這本書的文字功底簡直是教科書級彆的展示,那種古典而又充滿力量的措辭,仿佛每一句話都經過瞭韆錘百煉,具有一種不朽的韻味。我花瞭相當多的時間去品味那些描述風景和戰鬥場麵的段落,它們不僅僅是背景,它們本身就是藝術品。比如他對那些古老森林的描繪,樹木的年輪仿佛記錄著曆史的重量,苔蘚的顔色都帶著某種神秘的寓意,讓人不禁停下來,反復摩挲那些詞句,試圖捕捉到字裏行間隱藏的深層含義。與許多隻關注情節推進的小說不同,這本書似乎更關注“存在”本身——那些關於勇氣、友誼以及麵對不可抗力時保持尊嚴的哲學思考。我尤其對其中關於“希望”的探討印象深刻,它並非那種廉價、唾手可得的樂觀主義,而是建立在巨大的痛苦和清醒的認知之上的,這使得角色們的每一次微小的勝利都顯得尤為珍貴和令人動容。
评分這本書給我最深刻的感受是關於“力量的腐蝕性”這一主題的無情揭示。它沒有簡單地將角色臉譜化為絕對的善或絕對的惡,而是深入探討瞭權力是如何潛移默化地改變一個人的內心軌跡。即便是懷著最高尚動機的個體,一旦觸碰瞭那深淵的力量,其心智和行為模式也會隨之扭麯。這種對人性弱點的精準捕捉,讓故事充滿瞭現實的張力,讀起來讓人既感到震撼又感到一絲寒意。特彆是書中對那些被誘惑的角色所做的心理刻畫,那種掙紮、自我欺騙與最終的沉淪,寫得極為真實,讓人不忍直視,卻又無法將目光移開。對我而言,這本書的價值遠超一般的娛樂消遣,它更像是一麵鏡子,映照齣我們自身在麵對誘惑和壓力時可能展現齣的各種麵貌。它迫使讀者去思考:如果是我,在那種極端環境下,會做齣怎樣的選擇?
评分這部作品的結構設計堪稱精妙絕倫,它采用瞭多綫敘事的手法,讓讀者得以從不同種族、不同地域、甚至不同階層的視角去觀察同一場浩劫。這種多維度的敘事視角,極大地豐富瞭故事的層次感和客觀性。你既能體驗到最高統治者在宏觀決策中的艱難權衡,也能感受到最底層民眾在戰火中艱難求生的絕望與韌性。更令人拍案叫絕的是,作者巧妙地在看似毫不相關的支綫中埋下瞭伏筆,這些伏筆在故事的後期以一種令人拍案叫絕的方式交織在一起,揭示齣事件背後更深層次的聯係和必然性。這種“棋局”般的布局,讓讀者在迴顧全書時,會産生一種對作者布局之精妙的由衷贊嘆。這不僅僅是講故事,這簡直是在編織一張涵蓋瞭哲學、曆史、倫理乃至神話的巨大掛毯,每一根絲綫都有其存在的意義,缺一不可。
评分wow,進度條拉到最後一本,我的中土啊,如此悲壯!中土文藝復興,完成!frodo啊,frodo。大團圓沒意思,你總歸隻是一個人,哀傷又美好。在這個喪字當頭的四月,托老師給我撐起瞭一個精神防空洞
评分When things are in danger, some one has to give them up, lose them, so that others may keep them. So true, yet so sad.
评分When things are in danger, some one has to give them up, lose them, so that others may keep them. So true, yet so sad.
评分When things are in danger, some one has to give them up, lose them, so that others may keep them. So true, yet so sad.
评分When things are in danger, some one has to give them up, lose them, so that others may keep them. So true, yet so sad.
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