Scorsese's 1988 film "The Last Temptation of Christ" arguably generated more resistance and conflict upon its release than any film before or since, engendering intense debate and even hatred between religious conservative protesters and liberal progressive defenders of the picture. This is a full examination of the controversy, its participants, and their claims concerning the film's religious meaning. This debate reflects deep levels of social and cultural insecurity produced by the shifting role of religion and religious language in an increasingly secularized society, and demonstrates how a popular film about Jesus captured, inflamed, and strengthened existing animosities. Providing new insights into film's significance as an indicator of the changing relationship between secular and religious domains, the work offers a thorough and fascinating historical analysis of the various interpretations of "Last Temptation" and its reception.
具体描述
读后感
评分
评分
评分
评分
用户评价
借用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上：“is a douchebag”。2018-3 於圖書館六樓東
评分借用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上：“is a douchebag”。2018-3 於圖書館六樓東
评分借用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上：“is a douchebag”。2018-3 於圖書館六樓東
评分借用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上：“is a douchebag”。2018-3 於圖書館六樓東
评分借用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上：“is a douchebag”。2018-3 於圖書館六樓東
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有