威尔·贡培兹 Will Gompertz,1965年生,一个会说“单口相声”的艺术评论家,曾被纽约《创意》杂志评为世界上最有创意的50位思想家之一。贡培兹在泰特美术馆担任媒体主管达七年之久,并在BBC的邀请下,担任新成立的艺术频道的第一位主编。他二十多年来笔耕不辍 ,为《泰晤士报》和《卫报》撰写了很多艺术评论,并担任知名艺术批评网站 culturecritic.co.uk 的总编辑,也是英国众多前沿艺术机构的专业顾问。
What Are You Looking At? by Will Gompertz - a wonderfully lively and accessible history of Modern Art by the BBC Arts Editor. "An essential primer not only for art lovers but for art loathers too". (Express). What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cezanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next gallery trip is going to be a little less intimidating and a lot more interesting. "Robert Hughes' The Shock of the New redone a la Bill Bryson". (Telegraph). This book is essential reading for sceptics, art lovers, and the millions of us who visit art galleries every year - and are confused. It will also be enjoyed by readers of The Story of Art by E.H. Gombrich and is a perfect primer to the subject for the student or beginner. Will Gompertz is the BBC Arts Editor and probably the world's first art history stand-up comedian. He was a Director at the Tate Gallery for 7 years. He has a particular interest in modern art and has written about the arts for The Times and the Guardian for over 20 years. In 2009, he wrote and performed a sell-out one-man comedy show about modern art at the Edinburgh Festival. He was recently voted one of the world's top 50 creative thinkers by New York's Creativity Magazine.
1.课外书——一本让你读的津津有味的艺术史普及书 如果你和我一样,对现代艺术甚至是对艺术完全不了解,面对各种艺术展看的稀里糊涂不明所以,但又好奇想了解,那么你需要了解怎样去理解和解读一件作品,帮助你体会作品的意义。 这本书能够做到让你整体了解现代艺术的发展过程...
评分艺术的历史是关于价值的历史,和科技进步的历史不一样,艺术的历史跟进步没有任何关系,它并不意味着一种完善,一种改进,一种提高;它是发现之旅,去探索未知的土地。艺术并非要像一面镜子,记录历史所有起伏,所有变化和所有重复,它的存在是为了创造自身的历史,在这过程中,...
评分站在现代艺术品面前,很多人的反应可能是:这是什么?这太丑了! 类似的认知很早就发生了。1874年4月,法国巴黎纳达尔展厅,“艺术家无名协会”举办首次展览,包括德加的《舞蹈课》、雷诺阿的《包厢》、莫奈的《印象·日出》、塞尚的《缢死者之屋》等165幅作品。展厅像狂欢节一...
评分之前注意到了这本书的出现,后来又有信赖的朋友推荐,便立即入手了。 慢慢读完后,觉得真是自己零星的艺术史阅读经历中,极为愉快的一次,它在迄今自己的通识类著作阅读经验中,都显得脱颖而出。 当然,这首先与主题有关,在此之前,现代绘画里毕加索几乎就是自己领受度的极限...
评分在印象派之前的19世纪,浪漫主义肇兴于法国,随后又在其他国家百花齐放。以德拉克罗瓦为先驱,创作的《自由引导人民》摈弃法兰西学院派的古典主义思想,开始使用未经掺兑的纯色颜料为画作增添浑厚和活力,避开学院所钟爱的线条明晰的画法,更关注对比色相互作用下产生的那种闪...
Good. Recommended
评分讲述了从印象主义开始一百五十年的现代艺术各流派的特点、哲学思想、发展逻辑和社会背景。作为Tate Media的前Director,作者使用亲身经历,回应了观众们对现代艺术的不理解。清晰地阐述了现代艺术如何超越画布作为主要媒介,并重新定义了艺术家和观众的关系。
评分当代艺术家变成了entrepreneur;艺术变成资本逐利的商品;个体表达的模糊性和私密性变成遮羞布(作者最后几章还真的很温和:At least I like it)......这种崇拜权威的等级制度,真是叫人喜欢不起来。书本身把脉络写得挺清晰的。
评分很有趣
评分超级棒的现代艺术史入门书!认认真真读完学到了好多东西觉得看现代艺术作品时的懵逼程度可以减轻不少了23333作者的语言也超可爱偶尔耍赖,虽然缺了不少东西但涉及到的作品和艺术家都写得很鲜明生动了
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