具体描述
Although Internet porn is just a few clicks away, independent print publications devoted to erotica are currently thriving. While porn became digital, more anonymous, and even faster to get, recent examples of printed erotica became more individual, more distinct, and more elaborately presented. The current edition of Nico, “Confessions: Eroticism in Media,” takes a compelling look at the recent boom of smaller, independent erotic publications.
“Confessions: Eroticism in Media” introduces ten groundbreaking publications from around the world that are creating a contemporary visual language for erotic content. The issue also features telling conversations with their makers, all of whom are using the haptic qualities of a printed magazine and the power of well-made images to address more distinct erotic preferences. Some of the included interviews are so personal and refreshingly honest that they feel like pages ripped out of a personal diary, while others focus on the commercial and anthropological challenges that come with creating an independent publication. Readers can learn, for example, about how the makers of Butt, Gert Jonkers and Jop van Bennekom, created a movement and then went on to craft two of today’s most relevant fashion publications; while Thomas Lenthal, Paris’s man of the hour, used his connections in the international fashion world to forge a visually powerful erotic bible called Paradis. From the other side of the Atlantic, Danielle Leder explains why she chose to breathe new life into Jacques to continue to celebrate America’s girl-next-door.
“Confessions: Eroticism in Media” also includes a candid feature on the historic evolution of erotic magazines from their inception to today by prominent magazine expert Samir A. Husni, the founder and director of the Magazine Innovation Center at the University of Mississippi’s Meek School of Journalism and New Media, who is known internationally as Mr. Magazine™.
In addition to giving voice to those who showcase erotic images in their publications, “Confessions: Eroticism in Media” provides a curated platform of 100 pages for ten photographers, illustrators, and artists who share their intimate thoughts on the intricacies of their work. Readers are, for example, taken behind the scenes of Jules Julien’s erotic illustrations for the cult music magazine les Inrocks, Justin Morin’s juxtaposition of vintage erotic images, and the work of artist Malika Favre, who garnered much attention for the erotic alphabet she developed for the cover of Penguin’s recent re-release of the Kama Sutra. Last but not least the reader will be stimulated by the work of some truly talented photographers with radically different perspectives—from Autumn Sonnichsen, whose images are nothing short of an unabashed celebration of the female body, to Hanna Putz, whose relevant discourse has landed her in the Hyères Fashion & Photography Festival 2012.
Featured magazines:
Butt, Edwarda, Girls Like Us, Irène, Jacques, Jungsheft/Giddyheft, L'imparfaite, Pantyhose, Paradis, and S Magazine.
Featured creatives:
Bernard Bertrand, Phaedra Brody, Hannes Caspar, Malika Favre, Yulia Gorodinski, Jules Julien, Justin Morin, Hanna Putz, Autumn Sonnichsen, and Edwin Tse.
作者简介
目录信息
读后感
用户评价
简直是一场感官的盛宴，尤其是在处理情绪的细微差别上，作者展现出了近乎病态的敏锐。书中的人物对话充满了张力，表面平静的言语下，暗流涌动着难以言喻的背叛与渴求。我印象最深的是关于“记忆”与“现实”界限模糊的处理手法，几次情节的翻转都出乎我的意料之外，不是那种刻意为之的“反转”，而是水到渠成的逻辑推演，让你在恍然大悟的同时，又忍不住为自己的迟钝而懊恼。文风犀利且毫不留情，毫不回避人性中的丑陋与脆弱，但正因如此，才显得其真实可贵。它不提供廉价的安慰剂，而是提供一面冰冷的镜子，让你直视那些在日常生活中被我们小心翼翼隐藏起来的阴影。读完后，我感觉精神上经历了一次彻底的“排毒”，耳边仿佛还残留着那些低沉而富有磁性的独白，久久不散。
我向来对那种结构宏大、探讨存在主义命题的作品情有独钟，而这本正好击中了我的靶心。它巧妙地将个人的悲剧命运置于更广阔的社会图景之中，使得个体的挣扎获得了史诗般的重量。作者的遣词造句功力深厚，许多长句的结构复杂却又逻辑清晰，如同精密的钟表机械，每一个齿轮的咬合都推动着故事向前。这种对文字的掌控力，让阅读过程变成了一种智力上的挑战和享受。它迫使你调动起所有的注意力去梳理那些错综复杂的时间线索和人物关系网，一旦跟上节奏，那种豁然开朗的满足感是无与伦比的。虽然内容上探讨的是沉重的主题，但语言却保持着一种克制的优雅，没有落入煽情的俗套，这一点非常值得称道。
这是一部非常“私人化”的作品，即便是作为旁观者的读者，也能清晰地感受到作者笔触下的那种强烈的、近乎自传式的灼热感。我仿佛能闻到油墨和旧纸张混合在一起的味道，感受到那种在深夜里独自书写、无人知晓的孤寂。书中对于“道德困境”的探讨，没有给出简单的对错标签，而是展示了在极端环境下，人性是如何被拉扯和扭曲的。这种对灰色地带的勇敢涉足，使得整本书充满了不安分的能量。与其说是在读一个故事，不如说是在见证一次灵魂的“蜕皮”过程。它的节奏时而急促如疾风骤雨，时而又慢得仿佛时间凝固，这种强烈的对比成功地制造了一种令人窒息的紧张感。读完后，我久久不能平静，它不是一本让人“读完就放下”的书，而是一份需要带入生活的长期思考。
这本书的魅力在于其不可预测性，完全颠覆了我对传统叙事套路的认知。它更像是一系列碎片化的、高度风格化的场景集合，通过一种近乎意识流的方式串联起来。如果你期待一个清晰的、按部就班的故事线，那么你可能会在最初感到迷失。但是，一旦你接受了这种破碎的美学，你会发现每个片段都蕴含着极强的象征意义。作者似乎对符号学的运用达到了炉火纯青的地步，一个物件、一个重复出现的场景，都能在后续的情节中爆发出惊人的能量。我特别喜欢其中关于“自我审判”的描写，那种由内而外施加的压力，比任何外部的惩罚都来得更为持久和残酷。阅读它，需要极大的耐心，但回报也是巨大的——它教会你如何从混乱中提炼出秩序感。
这本书的叙事节奏把握得极为精妙，仿佛一位技艺高超的织工，将千丝万缕的思绪缓缓铺陈开来。开篇便如同一阵突如其来的迷雾，将读者直接抛入一个充满困惑与探寻的境地。作者并未急于揭示全貌，而是像剥洋葱一样，一层层地展现出人物内心的幽暗角落与复杂动机。我尤其欣赏其对环境细致入微的描摹，那些阴郁的街道、潮湿的空气、以及不经意间掠过的某个眼神，都成为了烘托主角心境的绝佳注脚。阅读过程中，我常常需要停下来，细细咀嚼那些富有哲理性的短句，它们不像说教，更像是从历史的深处打捞上来的智慧碎片。这种沉淀感，使得阅读体验不再是单向的接收，而更像是一场与作者灵魂的深度对话。通篇下来，那种萦绕不去、挥之不去的宿命感，让人不禁反思自身在宏大叙事下的渺小与挣扎，无疑是一部需要反复品味的文学佳作。
2012年这本《Confessions: Eroticism in Media》像是一期超长的杂志专题，对近年的小众情色出版潮流作了不删节的报道。介绍十本杂志如《Girls Like Us》《Edwarda》附加主创开诚布公的采访，然后有色情杂志的历史演变，还展示多位摄影师、插画师、艺术家创作的同主题作品。版式与人，同样赏心悦目。
2012年这本《Confessions: Eroticism in Media》像是一期超长的杂志专题，对近年的小众情色出版潮流作了不删节的报道。介绍十本杂志如《Girls Like Us》《Edwarda》附加主创开诚布公的采访，然后有色情杂志的历史演变，还展示多位摄影师、插画师、艺术家创作的同主题作品。版式与人，同样赏心悦目。
2012年这本《Confessions: Eroticism in Media》像是一期超长的杂志专题，对近年的小众情色出版潮流作了不删节的报道。介绍十本杂志如《Girls Like Us》《Edwarda》附加主创开诚布公的采访，然后有色情杂志的历史演变，还展示多位摄影师、插画师、艺术家创作的同主题作品。版式与人，同样赏心悦目。
2012年这本《Confessions: Eroticism in Media》像是一期超长的杂志专题，对近年的小众情色出版潮流作了不删节的报道。介绍十本杂志如《Girls Like Us》《Edwarda》附加主创开诚布公的采访，然后有色情杂志的历史演变，还展示多位摄影师、插画师、艺术家创作的同主题作品。版式与人，同样赏心悦目。
13年购于strand……
