La production de l'espace

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Henri Lefebvre began his career in association with the surrealist group, from whom he learned Hegel and a concern with dialectical logic. He was the first to translate Marx's early manuscripts into French, and his book Dialetical Materialism (published in 1938) became the work from which several generations of French intellectuals learned Marxism. Immediately after the war, Lefebvre began to reflect on a new object of study which he called "daily life". After the publication of Everyday Life in the Modern World, he was drawn to the analysis of urbanism, and wrote several books on the city, including Space and Politics (1972). In the 1960s he became closely involved with the younger school of French architects, and provided a theoretical framework for their work. Finally, the accumulation of these diverse themes led to his major philosophical work, The Production of Space.

出版者:Economica
作者:Henri Lefebvre
出品人:
页数:512
译者:
出版时间:2000-5-31
价格:EUR 22.00
装帧:Broché
isbn号码:9782717839548
丛书系列:
图书标签:
  • 空间 
  • Lefebvre 
  • 蒙田 
  • 社会学-H. 
  • 城市 
  • savoir 
  • pensée 
  • français 
  •  
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目前工作计划 一 在不久之前,“空间”一词有着一个严格的几何意义:它所引起的仅仅是一个空白区域的想法。学术界使用它通常伴随着一些绰号,例如“欧几里得”“等向性的”或者“无限的”。一般意见是空间的概念最终是数学的。因此,提到“社会空间”会听起来有些陌生。 空间概...  

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读亨利·列斐伏尔《空间的生产》虽是断章取义,却未曾料到在这“义”上面收获颇多。虽欧洲著作较之北美而言晦涩难懂,然此大作思想之深远、知识之广博已远远超出每位读者之想象,可所谓叹为观止。英哲弗朗西斯·培根尝言,阅读经典有如同一位智者对话,其所得不仅为知识本身,...

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The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...  

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The spectacle is not a collection of images;rather,it is a social relationship between people that is mediated by images. (Guy Debord,The society of the spectacle) The quasi-logical presupposition of an identity between mental space (the space of the philo...  

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